Atlantic Technology System 2200

Atlantic Technology System 2200 Speaker System

native Bostonian, had to fly to New York City to savor the film’s full magnificence—in 70mm, six-track surround—at the legendary Zeigfeld Theater. That’s commitment. Not wanting to make the trek alone, he invited Dotty, a woman he had just met at a party, on his quest—”but it wasn’t a date.” They thoroughly enjoyed the film, immediately flew back to Boston, and married a few years later. Tribeman’s wedding present to his bride was a signed Encounters poster: “To Peter and Dotty, on the occasion of their ultimate close encounter. Best Regards, Steven Spielberg.” Not bad.

That rare combination of talents is reflected in the sound and build quality of Atlantic Technology speakers. I last raved about his awesome System 6200 in the December 2003 issue, but that was a $10,000 package. For this review, I scaled back my expectations to assess how much of the high-end system’s performance would trickle down to the $2,000 System 2200.

The First Encounter
The System 2200 shares the flagship ensemble’s handsome styling, and it features a pair of compact 2200 LR stereo front speakers, a 2200 C center speaker, two 2200 SR bipole/dipole surround speakers, and the 422 SB subwoofer. It’s a nicely balanced ensemble; however, since Tribeman acknowledges that bipole/dipole surrounds aren’t universally admired, you can swap out the 2200 SRs for another set of the 2200 LRs if you prefer monopole surrounds. Also, if you don’t need the 422 SB subwoofer’s muscle, you can downsize to Atlantic’s matching 10-inch 212 SB sub. Atlantic lets you mix and match among their various offerings, and those switcheroos I just mentioned knock $230 off the System 2200’s bottom line.

The System 2200 shares some of the System 6200’s Custom Optimized Room Enhanced (C.O.R.E.) room-tuning features, which is a cool thing because room acoustics can vary greatly. The 2200 C center sits in a cradle that allows you to tilt the speaker up or down to direct its sound at the listening position. Next, the High Frequency Energy switch toggles between three positions: flat, reverberant (in which reduced high frequencies tame bright/reverberant rooms), and damped (which slightly raises the tweeter level to compensate for rooms with lots of stuffed furniture). The Boundary Compensation switch can tame the overblown midbass you often get when you park a speaker next to a TV screen or wall. I can’t think of another speaker package anywhere near the System 2200’s price that offers this level of flexibility.

Remove the speakers’ magnetically attached, perforated metal grilles, and you’ll see that the tweeters’ faceplates were designed to allow unusually close placement next to their adjacent woofers. The idea is to minimize the phase cancellation and comb-filter effects that play havoc with the sound heard by off-axis listeners.

The 422 SB conforms to the classic cube subwoofer shape, updated with crisp, beveled edges and gracefully curved side panels that lend a contemporary flair. The 422 SB’s rated 225-watt amplifier and crossover electronics are proprietary to Atlantic Technology. The sealed 422 SB sounds smoother and deeper than most subs in its size and price range. Midbass definition is excellent compared with that of run-of-the mill ported boomers—er, subwoofers.

I have one minor bone to pick with the sub’s ergonomics: The level control is hidden behind the grille. Since I like to touch up the sub’s level from one DVD or CD to the next, I wound up leaving the grille off. Great, except that the naked 442 SB isn’t nearly as pretty as the fully dressed model, but I guess I should be thankful that the volume control is in front and more convenient to access than it is on a sub with a rear-mounted level control.

The Second Encounter: Listening
For this review, I used a Harman/Kardon AVR 630 receiver teamed with my Denon DVD-2900 universal player. I started my auditions with the Persuasions Sing the Beatles SACD; this a cappella disc can sound awfully thin on sub/sat systems that have recessed midbass response. No problems here. The Persuasions’ voices had just the right amount of body and soul, and bass man Jim Hayes’ resonant pipes were in all of their glory. The finger snaps at the end of “The Ballad of John and Yoko” had just the right amount of fleshy tonality and transient snap.

On the emotionally charged House of Sand and Fog DVD, the music and low-level ambient detail properly receded into the background. The System 2200’s heightened resolution made the most of the film’s themes of possession, abandonment, honor, and family roots. With Master and Commander, the System 2200 rallied to convey harrowing volleys of cannon fire; the satellites’ lifestyle-friendly size didn’t squash the DVD’s wickedly massive sound. Dynamic verve was impressive but didn’t quite achieve the in-your-gut oomph of a larger system.

Frank Zappa’s 1977 Halloween show in New York City eventually mutated into a concert film called Baby Snakes. Thanks to its immersive 5.1 mix and the 2200 SR surround speakers, I felt like I was in the middle of the audience, which was in the throes of Zapped-out ecstasy. The 422 SB’s bass wasn’t just deep; it was extraordinarily tight and well defined. Electric bass lines “popped” like the real thing. I wasn’t surprised; sealed subs often have a definitive edge over ported ones in this respect—and the 422 SB sub is one of the best I’ve heard in this class.

The Third Encounter: How Good Is It?
While the System 2200’s virtues are many, I doubt it’s going to cannibalize sales of Atlantic’s bigger packages. Crank up full-bore rock-‘n’-roll, and the wee sats’ limitations—limitations that weren’t obvious with home theater trials—become apparent. The system’s midbass weight wasn’t there, so we learn yet again that size still matters; however, in rooms smaller than mine (say, fewer than 400 square feet or so), the System 2200 will kick butt at least as well as any sub/sat combo I’ve heard. When you consider the System 2200’s exceptional room-tuning features, it’s easy to see the wisdom of Tribeman’s strategy.

If you’re looking for full-tilt dynamics, gutsy bass slam, and razor-flat frequency response, do yourself a favor and pay the extra freight to buy grown-up speakers. I’m not claiming that you have to spend $10,000 on the System 6200; I’d first check out Atlantic’s System 4200 THX Select package ($3,500), which might do the trick. One thing’s for sure: Peter Tribeman’s perfectionist drive is built into every speaker he makes.

Highlights
• Atlantic’s Swan-like makeover is a ravishing success
• Rock-solid subwoofer
• C.O.R.E. room-tuning features